Harmonic Interval = memainkan dua nada secara bersamaan ada pun yang sering dimainkan dalam permainan melodi adalah interval 3 (Major3rd/Minor3rd), interval 6 (Major6th/Minor6th) dan interval 8 (octave) Teknik interval ini ada dua macam : Interval juga bisa menjadi salah satu teknik untuk pengisian melodi. Misal, dari tangga nada mayor diatonis ada nada yang bergeser mundur, hanya nada ke-3 (3b) sajah, maka akan terlihat susunan interval seperti : 1 – 1/2 – 1 – 1 – 1 – 1 – 1/2, susunan interval ini adalah formula untuk membentuk tangga nada minor melodic ( minor Ionian). Berbagai macam tangga nada (tangga nada/Modes) ditentukan oleh banyak susunan variasi interval… misal interval untuk tangga nada mayor diatonis (ionian) tersusun seperti 1 – 1 – 1/2 – 1 – 1 – 1 – 1/2 nah, jika salah satu interval itu dinaikan atau diturunkan maka akan membentuk tangga nada diatonis baru.
Susunan beberapa interval sangat menentukan karakter bunyi akord atau skala (tangga nada). At last, the composition of Talempong had become a Talempong orchestra recently.Posted on DecemUpdated on January 27, 2014Īdalah jarak di antara dua nada. Furthermore, Islamidar had a contribution in popularizing Talempong musical instruments so that there was an increasing interest among the society and artists either in or out of country. With him creativity, Islamidar had created more popular technique of playing Talempong, music for accompanying dance and arrangement of Talempong beats. He had arranged a practical scale of Talempong to accompany a song or a dance. He learned music in the age of 5, and when he was 16, he had become a great Talempong player. The research findings revealed that Islamidar had a talent in music since he was a child. The data gathered then was analyzed by using ethnography data analysis technique.
The instruments of the research were the researcher herself, note-book, recorder and audio visual media.
The data was gotten through interview, direct observation and documentation. This was a qualitative research which used Biography method. This a article was intended to reveal the phenomena of Islamidar in the traditional music art in West Sumatera including him ideas, creativity and him contribution toward the development of Minagkabau traditional music in West Sumatera.
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